Abitalbero建筑事务所设计的这个木质阁楼被绿色的屋顶覆盖着，造型像龙头一样，伫立在德累斯顿OSTRALE国际当代艺术展览的入口处。这个龙头使用了为Abitalbero所研发的可持续树屋新技术，这种新技术与传统的建造方式相比，可以减少超过6顿的二氧化碳排放量。2014年即将进行的一个项目也将加入龙的元素，坡道形式采用了像龙身那样弯曲的形状。
       这个被称为OSTRALE的艺术界的盛会在一个屠宰场举办，这个屠宰场因库尔特•冯内古特的战时小说《五号屠宰场》而扬名。2013年，来自 OSTRALE艺术展的Andrea Hilger和来自Abitalbero建筑事务所的Daniele De Grande想出了一个主意，在斜坡上铺满开花的草甸。后来这个概念逐渐演变成在入口放置木质龙头状阁楼来欢迎参观者。游客可以爬上绿色的斜坡仰望天空，也可以坐在后方的座位上休息，还可以在入口空间享受阳光的照射。2014年，场馆中会建造一个更长的蜿蜒的“草甸天空”，带领游客进入会展厅的一楼，并免费向所有人开放。
       这个木质构筑物的建设，减少了6584kg二氧化碳的排放，同时，Belgian centre Atelier Creahm管理的几个车间允许残障人士参与建设，残障人士也为这个木结构的建设做出了不少贡献。

       译者：筑龙网 饭团小组

       Architecture firm Abitalbero constructed this playful green-roofed wooden pavilion for the entrance of International Exhibition of Contemporary Art OSTRALE in Dresden. The Drachenkopf (or "Dragon's Head") was built using techniques developed for Abitalbero's sustainable tree houses, and it saves over 6 tons of CO2 when compared to conventional construction. For the 2014 exhibition the ongoing project will be joined by a dragon's body that takes the form of a curving meadow-topped ramp. Read on for a closer look at this unique structure.
        OSTRALE is a popular contemporary art event hosted at the Slaughterhouse made famous by Kurt Vonnegut‘s wartime fiction Slaughterhouse-Five. In 2013 Andrea Hilger of OSTRALE and Daniele De Grande of Abitalbero came up with the idea for a ramp topped with a flowering meadow, and the concept evolved into the wooden Drachenkopf that greeted visitors at the entrance to the event this year. Visitors were able to climb onto the green ramp pointed towards the sky, rest on seating at the rear, or enjoy the sun streaming into the space in front of the entrance desk. In 2014, a longer, snaking ‘meadow in the sky’ will take visitors up to the first floor of the exhibition, providing step-free access for all. When complete the two wooden structures will resemble a crouching green dragon.
       Exactly 6584 kg of CO2 were prevented from entering the atmosphere with the construction of this wooden structure. During construction, the Belgian centre Atelier Creahm ran several workshops that allowed disabled participants to contribute to the build. The structure succeeds by providing the exhibition with a fresh focal point that is sustainably built and accessible to all.